Quote:There are two obvious options for watching the Star Wars saga.

• Release Order â€“ Watch the films in the order they came out, recreating your experience with the films for someone new to them.
  
• Episode Order â€“ Watch the films in the order George Lucas intends, starting with Episode I and going straight through to Episode VI
  

There are two critical flaws with both of these orders, unfortunately, that prevent either from being appropriate.
The problem with Episode Order is that it ruins the surprise that Vader is Luke's father. If you think that this reveal doesn't matter since it's common knowledge, I suggest you watch the looks on these kids' faces. This reveal is one of the most shocking in film history, and if a newcomer to the series has managed to avoid having it spoiled for them, watching the films in Episode Order would be like watching the ending of The Sixth Sense first.
The other problem with Episode Order is that the prequels don't really have a story. They're just background for the real story, which is Luke's attempt to destroy the Empire and save his father. Watching 3 films of backstory is boring if you've never seen the films they're the background to. Hell, that's why George Lucas made A New Hope first, he knew if he started with Episode I he'd never be able to complete the series. Starting someone off with Episode I is a surefire way to ensure they don't make it through the entire franchise.

Quote:Unfortunately, Release Order is also an instant failure, and the reason is a single shot. If you're watching the original trilogy first, then after the Empire is destroyed and everyone is celebrating, Luke looks over at his mentors, Ben Kenobi and Yoda, and suddenly they are joined by... some random creepy looking teenager who needs a haircut. Placing Hayden Christensen in the ending of Jedi, since he's not in ANY of the other films, turns an ending that should be celebratory into one that is confusing for the viewer. The fact that Christensen looks like he's undressing someone with his eyes doesn't help.
So neither order really works. What to do?

Quote:Effectively, this order keeps the story Luke's tale. Just when Luke is left with the burning question "how did my father become Darth Vader?" we take an extended flashback to explain exactly how. Once we understand how his father turned to the dark side, we go back to the main storyline and see how Luke is able to rescue him from it and salvage the good in him.

The prequel backstory comes at the perfect time, because Empire Strikes Back ends on a huge cliffhanger. Han is in carbonite, Vader is Luke's father, and the Empire has hit the rebellion hard. Delaying the resolution of this cliffhanger makes it all the more satisfying when Return of the Jedi is watched.

Quote:Episode I is a failure on every possible level. The acting, writing, directing, and special effects are all atrocious, and the movie is just plain boring. Luckily, George Lucas has done everyone a favor by making the content of Episode I completely irrelevant to the rest of the series. Seriously, think about it for a minute. Name as many things as you can that happen in Episode I and actually help flesh out the story in any subsequent episode. I can only think of one thing, which I'll mention later.
Every character established in Episode I is either killed or removed before it ends (Darth Maul, Qui-Gon, Chancellor Valorum), unimportant (Nute Gunray, Watto), or established better in a later episode (Mace Windu, Darth Sidious). Does it ever matter that Palpatine had an apprentice before Count Dooku? Nope, Darth Maul is killed by the end of Episode I and never referenced again. You may as well just start with the assumption that Dooku was the only apprentice. Does it ever matter that Obi-Wan was being trained by Qui-Gon? Nope, Obi-Wan is well into training Anakin at the start of Episode II, Qui-Gon is completely irrelevant.
Search your feelings, you know it to be true! Episode I doesn't matter at all. You can start the prequels with Episode II and miss absolutely nothing. The opening crawl of Episode II establishes everything you need to know about the prequels: a bunch of systems want to leave the Republic, they are led by Count Dooku, and Senator Amidala is a senator who is going to vote on whether the Republic is going to create an army. Natalie Portman is called Senator Amidala twice in the first 4 minutes of the movie, so there's no question of who's who.

Quote:As I mentioned, this creates a lot of tension after the cliffhanger ending of Episode V. It also uses the original trilogy as a framing device for the prequel trilogy. Vader drops this huge bomb that he's Luke's father, then we spend two movies proving he's telling the truth, then we see how it gets resolved. The Star Wars watching experience gets to start with the film that does the best job of establishing the Star Wars universe, Episode IV, and it ends with the most satisfying ending, Episode VI. It also starts the series off with the two strongest films, and allows you to never have to either start or end your viewing experience with a shitty movie. Two films of Luke's story, two films of Anakin's story, then a single film that intertwines and ends both stories.
Beyond this, Episode I establishes Anakin as a cute little kid, totally innocent. But Episode II quickly establishes him as impulsive and power-hungry, which keeps his character consistent with eventually becoming Darth Vader. Obi-Wan never really seems to have any control over Anakin, struggling between treating him as a friend (their very first conversation together in Episode II) and treating him as an apprentice (their second conversation, with Padme). Anakin is never a carefree child yelling "yippee", he's a complex teenager nearly boiling over with rage in almost every scene. It makes much more sense for Anakin to have always been this way.
In the opening of Episode II, Padme refers to Anakin as "that little boy I knew on Tatooine." The two of them look approximately the same age in Episode II, so the viewer can naturally conclude that the two of them were friends as children. This completely hides the totally weird age gap between them from Episode I, and lends a lot of believability to the subsequent romance. Scenes in which they fall for each other seem to build on a childhood friendship that we never see but can assume is there. Since their relationship is the eventual reason for Anakin's fall to the dark side, having it be somewhat believable makes a big difference.

Quote:This order also preserves both twists. George Lucas knew that watching the films in Episode Order would remove the Vader twist, so he added the Palpatine twist to compensate. Since we don't really meet the Emperor until Episode VI, this order preserves the twist around Palpatine taking over as Emperor. Episode I establishes that Darth Sidious is manipulating the Trade Federation in the opening scene of the film, and it's pretty obvious Sidious is Palpatine. But if you skip Episode I, all we ever see is that Count Dooku is leading a separatist movement, all on his own. Dooku tells Obi-Wan that the Senate is under the control of a Sith lord named "Darth Sidious", but at the end of the movie, after Dooku flees from Geonosis, he meets with his "master", who turns out to be Darth Sidious. This is the first time we realize that the separatist movement is actually being controlled by Sidious, and it's the first time we see him, which doesn't give the audience a chance to realize he's Palpatine (remember, nobody has ever referred to "Emperor Palpatine" by this point in the series).
Machete order also keeps the fact that Luke and Leia are siblings a surprise, it simply moves the surprise to Episode III instead of VI, when Padme announces her daughter's name. This is actually a more effective twist in this context than when Obi-Wan just tells Luke in Return of the Jedi. We get to find out before Luke, and we discover she's carrying twins along with Obi-Wan when the Gynobot tells him. Luke's name is first, so when Padme names the other kid "Leia" it's a pretty shocking reveal. As an added bonus, there are now about 5 hours of film between the discovery that they are siblings and the time they kissed.