Sounds sort of like an inverted version of Admiral Tigerclaw's Sleeping With the Girls fic.
For Lelouch, you need to keep in mind how central the whole Destroy Britannia thing is to him. That, along with discovering who is responsible for the death of his mother, has been his driving motivation since he was ten. Gaining the Geass just allowed him to step up his plans, he had those goals long before he knew that the power of Geass even existed. Just because he is stuck in some other universe isn't going to change that.
He appears to be a strategic genius, in pretty much any area you can imagine, combat, politics, socialization, you name it, and he is, to a degree. His greatest strength, however, is in his ability to read people, and predict their actions based on that understanding. He parleys that, along with a keen understanding of the options they have available, to achieve his goals. The most extreme example is in season 2, when Lelouch Where he fails is improvisation, that thing that everyone needs to know how to do to deal with what happens when your plan and your enemies meet. He gets around this partially by trying to plan for every contingency, but when something comes completely out of left field, or he makes a mistake in his judgements, things fall apart fast.
I'd suggest avoiding or limiting the telepathy thing. If the gods are that worried about him, why not just toss him in suspended animation? They're all probably very busy working to restore the multiverse, so they have much more important things to do than babysit all the main characters. Keeping the divine level powers far away, or significantly weakened by the crisis, or both, only being able to devote very limited runtime to the characters once they are situated with the ST (who is completely irrelevant if there are multiple gods with full access to their powers, and are present all the time to stop things from going out of control.) Given the scale of what is going on elsewhere, it might be a good idea to have them glance at Lelouch on arrival, turn off the Geass, and think that he's defanged from then on.
Lelouch is just as capable without the Geass as with it, but take away his ability to plan, and, well, yeah. Surrounded by a bunch of naive harem comedy protagonists, and he will soon have them preparing to take the fight to the Brittainian Empire once the crisis is over, using whatever means of interdimensional they have back in their original universes.
For writing his plans, first pick the final goal. This will be likely be one of his two motivations. Then decide what is needed for that to come to pass. (Information on what is going on is likely going to be very high up on this list.) Then break those down into sub-stages, and figure out what needs tp be done for those. Decide who has acess to what he needs, and what might need to happen for Lelouch to succeed. Then figure out what could go wrong, which falls under three categories: planned for, possible contingencies (aka enemy action), completely random (unconsidered, complete surprise, no contingencies. Sudden psychic vision in the middle of battle, for example). From Lelouch's point of view, he reads his opponent and is able to figure out what he will do, and makes his plan based on that, so he doesn't plan out the whole contingency tree, since he knows what moves will never be made, by knowing what his opponent is willing to do. For writing it though, it might be useful to plan backward, but write it going forward, so you have things coming in from left field that he didn't see coming, and him having to try to adapt the pans to that. Just an idea though. Other people probably have better ones, and will have posted them while I typed this monster post up.
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Stand between the Silver Crystal and the Golden Sea.
"Youngsters these days just have no appreciation for the magnificence of the legendary cucumber." --Krityan Elder, Tales of Vesperia.
For Lelouch, you need to keep in mind how central the whole Destroy Britannia thing is to him. That, along with discovering who is responsible for the death of his mother, has been his driving motivation since he was ten. Gaining the Geass just allowed him to step up his plans, he had those goals long before he knew that the power of Geass even existed. Just because he is stuck in some other universe isn't going to change that.
He appears to be a strategic genius, in pretty much any area you can imagine, combat, politics, socialization, you name it, and he is, to a degree. His greatest strength, however, is in his ability to read people, and predict their actions based on that understanding. He parleys that, along with a keen understanding of the options they have available, to achieve his goals. The most extreme example is in season 2, when Lelouch Where he fails is improvisation, that thing that everyone needs to know how to do to deal with what happens when your plan and your enemies meet. He gets around this partially by trying to plan for every contingency, but when something comes completely out of left field, or he makes a mistake in his judgements, things fall apart fast.
![[+]](/images/collapse_collapsed.png "[+]")
SpoilerI'd suggest avoiding or limiting the telepathy thing. If the gods are that worried about him, why not just toss him in suspended animation? They're all probably very busy working to restore the multiverse, so they have much more important things to do than babysit all the main characters. Keeping the divine level powers far away, or significantly weakened by the crisis, or both, only being able to devote very limited runtime to the characters once they are situated with the ST (who is completely irrelevant if there are multiple gods with full access to their powers, and are present all the time to stop things from going out of control.) Given the scale of what is going on elsewhere, it might be a good idea to have them glance at Lelouch on arrival, turn off the Geass, and think that he's defanged from then on.
Lelouch is just as capable without the Geass as with it, but take away his ability to plan, and, well, yeah. Surrounded by a bunch of naive harem comedy protagonists, and he will soon have them preparing to take the fight to the Brittainian Empire once the crisis is over, using whatever means of interdimensional they have back in their original universes.
For writing his plans, first pick the final goal. This will be likely be one of his two motivations. Then decide what is needed for that to come to pass. (Information on what is going on is likely going to be very high up on this list.) Then break those down into sub-stages, and figure out what needs tp be done for those. Decide who has acess to what he needs, and what might need to happen for Lelouch to succeed. Then figure out what could go wrong, which falls under three categories: planned for, possible contingencies (aka enemy action), completely random (unconsidered, complete surprise, no contingencies. Sudden psychic vision in the middle of battle, for example). From Lelouch's point of view, he reads his opponent and is able to figure out what he will do, and makes his plan based on that, so he doesn't plan out the whole contingency tree, since he knows what moves will never be made, by knowing what his opponent is willing to do. For writing it though, it might be useful to plan backward, but write it going forward, so you have things coming in from left field that he didn't see coming, and him having to try to adapt the pans to that. Just an idea though. Other people probably have better ones, and will have posted them while I typed this monster post up.
-----
Stand between the Silver Crystal and the Golden Sea.
"Youngsters these days just have no appreciation for the magnificence of the legendary cucumber." --Krityan Elder, Tales of Vesperia.