I *love* this hotel internet connection. I wanna take it home with me....
Wow. If you thought Grace was a heartless bitch before, you ain't seen NOTHING yet. And just when you think you finally HAVE... there's ANOTHER
layer. I can't help but wonder if Grace chose Sheryl for this deliberately at the very beginning, with malice aforethought. I can't explain this kind
of behavior with just callous disregard -- there has to be some deliberate, active hatred involved here.
Of course, hatred of *whom* is the big question....
Mikey and Klan keep drifting closer, despite Klan's apparent determination to keep interpreting his actions as an insight into what kind of woman he wants.
(prediction: I think we'll find out before the end of the series if the Macronizing process will work on Mikey).
The public is a cruel and fickle beast. And Sheryl is a lot more fragile than she was ever willing to believe. Poor Sheryl -- she's about to hit rock
bottom so hard, she'll *bounce.*
But she's not alone. She still has friends she doesn't entirely recognize as such yet.
Hold on... Sheryl *seems* to share a last name with the green-haired woman who keeps showing up in pictures and flashbacks, who I've been assuming was
Ranka's mother. What does *this* mean? Just how deep does the Ranka/Sheryl connection run?
The return of Big Brother, and *not* in the Orwellian sense.
Luca's brilliant strategy goes piff.
Ozma... delegates. And stares moodily at a picture that doesn't really tell us anything we hadn't already figured out.
New opening credits: more desperate lyrics, more foreshadowing of Ranka and Sheryl's intertwined destinies. And they're singing a *duet,* again. And
triangles -- LOTS of triangles. (BTW, I *love* this new opening -- gotta get the soundtrack).
Bobby... leads an assault on the shopping mall. And gets upstaged.
Wow. If you thought Grace was a heartless bitch before, you ain't seen NOTHING yet. And just when you think you finally HAVE... there's ANOTHER
layer. I can't help but wonder if Grace chose Sheryl for this deliberately at the very beginning, with malice aforethought. I can't explain this kind
of behavior with just callous disregard -- there has to be some deliberate, active hatred involved here.
Of course, hatred of *whom* is the big question....
Mikey and Klan keep drifting closer, despite Klan's apparent determination to keep interpreting his actions as an insight into what kind of woman he wants.
(prediction: I think we'll find out before the end of the series if the Macronizing process will work on Mikey).
The public is a cruel and fickle beast. And Sheryl is a lot more fragile than she was ever willing to believe. Poor Sheryl -- she's about to hit rock
bottom so hard, she'll *bounce.*
But she's not alone. She still has friends she doesn't entirely recognize as such yet.
Hold on... Sheryl *seems* to share a last name with the green-haired woman who keeps showing up in pictures and flashbacks, who I've been assuming was
Ranka's mother. What does *this* mean? Just how deep does the Ranka/Sheryl connection run?
The return of Big Brother, and *not* in the Orwellian sense.
Luca's brilliant strategy goes piff.
Ozma... delegates. And stares moodily at a picture that doesn't really tell us anything we hadn't already figured out.
New opening credits: more desperate lyrics, more foreshadowing of Ranka and Sheryl's intertwined destinies. And they're singing a *duet,* again. And
triangles -- LOTS of triangles. (BTW, I *love* this new opening -- gotta get the soundtrack).
Bobby... leads an assault on the shopping mall. And gets upstaged.