Thank you so very much, Josh.
Okay, Murmur, let's see if I can answer to your satisfaction in the half hour I have before I have to start work...
Thanks for the opinions, Murmur.
-- Bob
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"Flan on!" -- The battlecry of the Human Dessert
Okay, Murmur, let's see if I can answer to your satisfaction in the half hour I have before I have to start work...
Quote:Why would he need acculturation to humanity, or have to "get used to" sentience? He already had both. Look at the boomers who kidnapped Cynthia in episode one of the OVAs. Like Oscar/Kilroy they were covert models, and they were in no way mechanical or artificial in behavior. They had unique personalities, and were clearly experienced at living as human beings -- especially Frederick, who passed as human while working with a dozen or more people every day in a paranoid high-security facility. They even had obvious, if somewhat crude, emotions. Doug's changes don't make a boomer sentient -- they just take the locks off his ability to be free and complete person.
I found Oscar the Mechanical Man's acculturation to humanity to be surprisingly fast. Granted that he served in covert activities before, but he picked up on certain nuances a bit too quickly to be believed. Maybe some more scenes of him getting used to the ineffable condition of sentience should be added
Quote:Again, he didn't "pick those up" -- he already had them. They were, admittedly, muted during his first couple hours of freedom, as he was busy trying to figure out whether he was about to be "disposed of" or not. But they came out as he became more relaxed around Doug.
Also, he certainly both picked up a sense of humor and the ability to adequately quip with Doug very, VERY quickly.
Quote:Hm. I hadn't considered that. Maybe I should change the passage. Good catch.
Oh, yes. As for any dramatic quality that the final scene had was lost because in an earlier scene, Doug specifically mentioned that he both survived it and moved onto another world (the Doug singing scene). I mean, OF COURSE, we know that. And given that it's told in the first person, we're pretty sure anyway. But still, by coming out and saying it like that makes sure that the readers know that Doug is ultimately unaffected by his kidnapping. At least, that's the effect.
Quote:You know, I've been trying to find a good place for that song. I never thought of it for this chapter.
Oh, and have you considered that there is a much more appropiate Styx song for this chapter? (Oh, momma I'm in fear for my life from the long arm of the law . . .)
Thanks for the opinions, Murmur.
-- Bob
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"Flan on!" -- The battlecry of the Human Dessert