I've never considered the possibility, to tell you the truth. In the case you cite, where there's a chunk of something in the middle of something else, well, I'd expect that it'd really be the gestalt of the whole piece that mattered. In the case of a deliberately blended series of songs... well, in game, I'd treat that as just automatically switching from song to song to song as laid out. Which is probably how I'd handle it in print.
As for Kansas, the "Point of Know Return" album has been particularly fruitful for him. In addition to "Dust in the Wind" and "Lightning's Hand", he's used "Hopelessly Human" as part of a complicated ritual coordinated by Dwimanor to cure Shadowwalker of her arrested vampirism some years ago. And of course, the song that brought him to the BGC world was the title track.
As for "Magnum Opus" or "Howling at the Moon", I don't think I've heard either of them. I'll have to go look for them and get back to you.
-- Bob
---------
Then the horns kicked in...
...and my shoes began to squeak.
As for Kansas, the "Point of Know Return" album has been particularly fruitful for him. In addition to "Dust in the Wind" and "Lightning's Hand", he's used "Hopelessly Human" as part of a complicated ritual coordinated by Dwimanor to cure Shadowwalker of her arrested vampirism some years ago. And of course, the song that brought him to the BGC world was the title track.
As for "Magnum Opus" or "Howling at the Moon", I don't think I've heard either of them. I'll have to go look for them and get back to you.
-- Bob
---------
Then the horns kicked in...
...and my shoes began to squeak.